Today on Radio Riel, we are exploring the world of Light Music – from the earliest days of the genre, which started in the late 19th century, to its heyday after the Second World War. ‘Light Music’ – also known
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The Light Programme: Light Classics

in Daily Programme, Radio Riel Main

by Elrik Merlin on Saturday, 27 October, 2012

The Light Programme: Light Classics

Today on Radio Riel, we are exploring the world of Light Music – from the earliest days of the genre, which started in the late 19th century, to its heyday after the Second World War.

‘Light Music’ – also known as ‘mood music’ or ‘concert music’ – is very much a British phenomenon, referring to a popular and tuneful style of orchestral music that had its origins in the seaside bands of the 19th and early 20th century. The style peaked around the middle of the 20th century and then fell from favour: on the one hand eclipsed by rock ‘n’ roll (many of its exponents by this time were the leaders of the Big Bands whose doom arrived during this period), but on the other continuing in hidden guise, in the form of ‘library music’ – music recorded for use in films, radio and later television – right up into the 1960s.

Light Music composers might at once have written for the British film-makers of the 1940s, the BBC Light Programme after the war, and perhaps for the emerging British independent television companies who required themes to open and close a day whose broadcasting hours were limited by statute. And at the same time, their work might be found in production studios on discs from the Chappell, deWolfe and KPM music libraries, unavailable to the public but often used for newsreel voiceovers, radio programme themes and, later, as music to play while British television was showing the Test Card outside broadcasting hours.

Light Music is characterised by a predominance of melody – generally memorable melody – which is one reason why it is a perfect companion to broadcasting, providing themes and even incidental music to drama, documentary, news and current affairs, and game shows. Often, people can recall the themes that punctuated their lives many, many decades ago.

Today, we’ll be hearing, among many others, a good deal from composer/arranger/conductor Mr Gavin Sutherland, one of the primary exponents of light music and related compositions in Britain. More or less single-handedly (along with Brian Kay on BBC Radio 3) he has brought British light music back from the grave and renewed our appreciation of a range of composers such as Richard Addinsell, William Alwyn, Eric Coates, Robert Farnon, Charles Williams, J Malcolm, Ronald Binge and many others. In addition we’ll be hearing from many lesser-known composers. Many of the original recordings have been re-issued on CD from companies like Vocalion and Guild, while Chandos, Naxos and especially White Line have released new, superb recordings of the classics.

If you would like to read more about some of the composers featured in today’s programme, please visit the Index of British Light Music Composers. There is also an article on Light Music in Wikipedia. In addition, do visit the web site of the Light Music Society.

Please note that there will be no edition of the ZBS Radio Hour for the next few weeks. Instead, why not visit the ZBS Foundation web site – and check out their Halloween Podcast! The ZBS Radio Hour will return on Saturday 24th November with two brand new adventures – Jack Flanders in The Ah-Ha! Phenomenon, and a brand spanking new Steampunk serial starring Ruby the Galactic Gumshoe. Don’t miss it!


The Light Programme is presented by Elrik Merlin on the last Saturday of the month. You can listen to today’s programme in-world now at http://main.radioriel.org, or simply click here to start your player, if your browser is configured to do so. Listeners in the United States are encouraged to tune in using this link: http://loudcity.com/stations/radio-riel/tune_in

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